
- Show Boat (1951)
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| Added | Apr 13, 2013 |
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| Added | Apr 13, 2013 |
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| Added | Apr 13, 2013 |
30 day average: 11,454
90 day average: 11,219
Show Boat (1951) (DVD)One of the greatest Broadway musicals comes to the screen in this tale of music, racial bigotry and enduring love as outsized as the American heartland set aboard a Mississippi River Show Boat. Magnolia Brown has grown up onboard a sailing theater, plying the river from town to town to entertain people, and she has always dreamed of a life on stage. When the star's, Julie LaVerne part African American ancestry is revealed and she is forced to leave, Magnolia steps in to take Julie's place on stage. Magnolia soon falls in love with her leading man, the handsome gambler and rogue, Gaylord Ravenal (Howard Keel--Kiss Me Kate, Seven Brides for Seven Brothers), and the two marry, have a daughter and live happily--for a while. But Ravenal's gambling debts force Magnolia to find a job, and Julie LaVerne again leaves her starring role--this time voluntarily--to give Magnolia the break she needs, an opportunity that leads to stardom.]]

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| Added | Aug 1, 2013 |
Show Boat Kathryn Grayson, Howard Keel, Ava Gardner, Joe E. Brown, Marge & Gower Champion, Robert Sterling, Agnes Moorehead, Adele Jergens, William Warfield, Leif Erickson Movie Titles: Show Boat Synopsis: The captain's daughter marries a gambler who turns performer on a Mississippi riverboat. Format: DVD Color: Color Rating: Not Rated Genre: Martial Arts Runtime: 107 Year: 1951

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| Average | $14.99 (30d avg) $14.99 (90d avg) $14.99 (180d avg) $14.99 (365d avg) $14.95 (Lifetime average) |
| Added | Mar 11, 2014 |
The third and (to date) last film version of the Edna Ferber/Jerome Kern/Oscar Hammerstein II musical Show Boat falls just short of greatness but is still a whale of a show. Howard Keel and Kathryn Grayson are in fine fettle as irresponsible gambler Gaylord Ravenal and showboat ingenue Magnolia Hawks. The plot adheres closely to the Broadway original making several welcome improvements in the final act (which was always a bit shaky). Magnolia, daughter of showboat impresario Captain Andy (Joe E. Brown) and Parthy Hawkes (Agnes Moorehead), falls head over heels in love with the raffish Ravenal. When the show's leading lady, Julie (Ava Gardner), and leading man, Steve (Robert Sterling), are forced to leave when Julie's mulatto heritage is revealed by disgruntled suitor Pete (Leif Erickson), Magnolia and Gaylord step into the vacant stage roles and score a hit. Eventually, the two are married and for several months are quite happy. After incurring serious gambling losses, however, Gaylord walks out of Magnolia's life never realizing that his wife is expecting a baby. With the help of her former showboat colleagues Ellie and Frank Schultz (Marge and Gower Champion) and a behind-the-scenes assist from the tragic Julie, Magnolia secures work as a Cabaret singer in Chicago. Her new year's eve debut threatens to be a bust until her father Captain Andy quells the rowdy crowd and guides his daughter through a lovely rendition of After the Ball (a Charles K. Harris tune that pops up in every stage version of Show Boat). Magnolia returns to her family, with her daughter Kim in tow. Upon learning from Julie that he has a daughter, Gaylord returns to Magnolia and Kim, setting the stage for a joyous ending. Virtually all of the Kern-Hammerstein songs are retained for this version of Show Boat (though none of the songs specially written for the 1936 film version are heard). These cannot be faulted, nor can MGM's sumptuous production values. Still, the 1951 Show Boat leaves one a bit cold. Perhaps it was the removal of the racial themes that gave the original so much substance (as black stevedore Joe, William Warfield exists only to sing a toned-down version Ol' Man River while Joe's wife Queenie is virtually written out of the proceedings). Also, MGM reneged on its original decision to cast Lena Horne as Julie; the role was recast with Ava Gardner and rewritten with an excess of gooey sentiment). Or perhaps it was the production's factory-like slickness; typical of the film's smoothing out of the original property's rough edges was the casting of Marge and Gower Champion, who are just too darn good to be convincing as the doggedly mediocre entertainers Frank and Ellie. Even so, Show Boat does have Howard Keel and Kathryn Grayson at their peak, not to mention the peerless Joe E. Brown as Captain Andy. And the film was a financial success, enabling MGM to bankroll such future musical triumphs as Singin' in the Rain and Seven Brides for Seven Brothers. ~ Hal Erickson, Rovi