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Spurred by the popular success of (Nonesuch), there has been unprecedented interest by the Western world in the music of Bulgaria. But the renowned women's choir offers a mere fragment of the country's diverse musical heritage. , a 23-track compilation of recordings from 1927 to 1942, presents a far more extensive and stunning overview of the Bulgarian traditions, the breadth of which may surprise most listeners. The impassioned ornamentation of 17-year-old singer Vulkana Stoyanova echoes the great vocalists of flamenco. Solos on gaida (bagpipe) and kaval (end-blown flute) recall the launeddas masters of Sardinia and Celtic pipers and flautists. Pieces showcasing trumpet and clarinet resound with klezmer's free-metered reel. Remarkably, it's as if Balkan folk music channels the crosscultural gitano flame of the entire European continent.
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