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Product /
Revolverlution

 

By Koch Records
Revolverlution
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New from $13.99
3rd Party New from $9.71
3rd Party Used from $1.00
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Low $0.01
High $18.28
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Best Buy
$13.99
Amazon
$14.75
0 Reviews / Discussion
Buy from Best Buy
   
Latest $13.99  
Highest $14.99 Mar 13, '14  
Lowest $13.99 Mar 22, '16  
Average $14.95  
Added Mar 13, 2014  
 
 
Historical Price

 

Product Description
UPC099923838821
Revolverlution [PA] - CD

 

Product Category

Best Buy > Compact Disc

PriceZombie > Music

Buy from Amazon
           
Latest $14.75   Latest $9.71   Latest $1.00  
Highest $18.28 Jun 21, '14   Highest $10.48 Mar 1, '16   Highest $2.27 Mar 4, '15  
Lowest $11.16 Mar 11, '14   Lowest $2.12 Mar 27, '15   Lowest $0.01 May 6, '14  
Average $14.83   Average $6.21   Average $0.75  
Added Oct 7, 2013   Added Oct 7, 2013   Added Oct 7, 2013  
 
   
   
 
Historical Price
Amazon Best Sellers Rank
30 day average: 190,798 | 90 day average: 205,475

 

Product Description
UPC099923838821
If rap music is still CNN for African Americans, then Chuck D is still the lead anchor. While most rabid rap fans abandoned PE's revolution in the mid-1990s--once the group stopped utilizing the noisy, Bomb Squad-style of production--hip-hop is now in a clear state of emergency. The return of Chuck D is warranted. On this 15th-anniversary CD, he wastes no time launching into anti-jiggy tirades on "Put It Up," where he skewers today's emcees: "Tycoons, damn I'm tired of these coons / Rappin' in circles, words can either help you or hurt you." In fact, some of the new material on the album is as thought-provoking as any of PE's older material. "Son of a Bush," produced by Professor Griff, dissects two generations of flawed Bush presidencies. However, the willingness to take creative risks can also have its downside. Contest-winning fans got to remix four Public Enemy hits, including "Shut 'Em Down" (Austria's DJ Functionist) and "Public Enemy No. 1" (Jeronimo Punx). While the interactive nature of the project is admirable, DJ Functionist is no Pete Rock and Jeronimo Punx's postmodern twist on "Public Enemy No. 1" only makes you crave to hear the original version again. In the end, the live cuts (such as "Welcome to the Terrordome") and the so-so remixes bog down what would have otherwise been a tighter project. The often eloquent is no , but then again, what is?

 

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