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If Bonnie Raitt played piano and had a little more New Orleans in her, she'd be proud to claim the soulful sincerity of this release as her own. Producer Stephen Bruton (long Raitt's lead guitarist) polishes this groove-laden set with rich arrangements of horns and harmonies, as Cajun accordionist Wayne Toups, former Storyville vocalist Malford Milligan, and blues guitarist Pat Boyack provide additional sonic spice. Though the second-line syncopation of "Foreclose on the House of Love," the buoyant swamp pop of "Honeypie" (with Toups), and an acoustic, mandolin-driven transformation of the funky "Three Hundred Pounds of Hongry" find the veteran blueswoman in playful spirits, she shows her depth as a balladeer on originals such as "Give Me a Chance" and "The Storm," as well as a revival of Arthur Alexander's classic "If It's Really Got to Be This Way." Between the river towns of New Orleans (Ball's musical homeland) and Austin (where she's based), these 14 cuts cover a lot of ground.
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