
| Latest | $11.80 2 days ago |
| Highest | $14.95 Nov 24, '15 |
| Lowest | $11.72 Apr 8, '16 |
| Average | $13.08 (30d avg) $14.33 (90d avg) $14.36 (180d avg) $14.36 (Lifetime average) |
| Added | Oct 22, 2015 |
30 day average: 64,466
90 day average: 167,107
Annie Bakers is so good on so many levels that it casts a unique and brilliant light By not rushing thingsby letting the characters develop as gradually and inevitably as rain or snowfallBaker returns us to the naturalistic but soulful theatre that many of her contemporaries and near-contemporaries have disavowed in their rush to be 'postmodern.'
, like any great play, raises a lot of questionsnot just about the human experience, but also about the state of contemporary theater, it doesnt provide many answers; it is not the playwrights responsibility to do so. In John she co-opts the viewer for her own aesthetic use, heightening the tension onstage and deepening the quiet relationships between her characters. Through John, she displays an understanding that the audience is part of the theatrical experience, an inevitability as certain as a Chekhovian gun.
The description by the playwright of the setting is simple, but Annie Bakers compelling new work is revolutionary in theme and structure and challenges the boundaries of what theatre can be. A kind of magical super-realism permeates throughout this quietly evolving tale, with both the actors and the audience fully vested together in a mesmerizing exploration of the frailty and loneliness of human experience.