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In , Melanie Benson Taylor examines the diverse body of Native American literature in the contemporary U.S. Southliterature written by the descendants of tribes who evaded Removal and have maintained ties with their southeastern homelands. In so doing Taylor advances a provocative, even counterintuitive claim: that the U.S. South and its Native American survivors have far more in common than mere geographical proximity. Both cultures have long been haunted by separate histories of loss and nostalgia, Taylor contends, and the moments when those experiences converge in explicit and startling ways have yet to be investigated by scholars. These convergences often bear the scars of protracted colonial antagonism, appropriation, and segregation, and they share preoccupations with land, sovereignty, tradition, dispossession, subjugation, purity, and violence.Taylor poses difficult questions in this work. In the aftermath of Removal and colonial devastation, what remainsfor Native and non-Native southernersto be recovered? Is it acceptable to identify an Indian lost cause? Is a deep sense of hybridity and intercultural affiliation the only coherent way forward, both for the New South and for its oldest inhabitants? And in these newly entangled, postcolonial environments, has global capitalism emerged as the new enemy for the twenty-first century? is a compellingly original work that contributes to conversations in Native American, southern, and transnational American studies.