In the afterglow of his 60th birthday in 1997, Nonesuch Records delivered Steve Reich and his listeners an immense gift, this 10-CD retrospective of his work for the label, extending from his earliest tape-manipulation pieces to his most recent compositions utilizing samplers and the video artistry of Beryl Korot. Aside from the ear's liquid sense-making when it hears the dense and limber marimbas of Reich's or his taut, dizzying , there is a physical response almost inevitable in Reich's music. It stuns and holds you. And he knows it. struck an early chord of inventiveness, featuring an African American Pentecostal preacher's sermon and eventually spinning the title phrase into a jangling repetition of single words. Percussion works abound here: and stun with their deceptive similarity and warm clarity. Perennial favorite features pianists Nurit Tilles and Eduard Neumann synched up on two pianos and careening at full tilt in unison before their four hands fall out of time and phrase with each other, only to realign in a powerful swooping demonstration of energy and focus. The latter CDs hold abundant delights, many revealing Reich's late-discovered spiritualism and Judaica: ' examination of the Holocaust; 's shimmering Hebrew texts sung with fascinating choral power; 's invocation of Perotin. Closing the set are recent pieces: , and the sampler-rich and .