The bestselling author of transports us to San Francisco in the early 1980s, a magical, fog-shrouded city suffusedas are many of its denizenswith possibility and restless energy. In , Whitney Ottos charac-ters congregate night after night at a North Beach bar called the Youki Singe Tea Room, their lives conjoined by the bonds of friendship and shared experience. At the Youki Singe, the stories of these young peoples livestheir parties, their eccentric living situations, their passions for books and art and one anotherare recorded in one patrons pillow book, her version of the intimate journals of the courtesans of Edo Japan. Meanwhile, though, the careless joys of the drifting life are giving way to a desire to find something more substantial, a need to belong to something or someone.

The title is taken from a series of woodblock prints by the eighteenth-century artist Utamaro, a master at depicting Japans legendary Floating World, where, it is said, the patrons of the great pleasure quartersand their escortsdevoted them-selves to the pursuit of music, sex, food, poetry, theater, and fashion. Now, two hundred years later and an ocean away, the young men and women of Ottos San Francisco find themselves in their own version of a Floating World.

Illustrated with more than two dozen beautifully reproduced woodblock prints, conjures an atmosphere both dreamy and contemporary. Whitney Otto engages the senses as well as the mind while exploring the intricacies, the trouble, and the rapture of human connection.

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