- Old Joy (dvd) (colorized)
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From $19.99 (New)
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From $18.74 (New)
From $19.99 (New)
From $18.74 (New)
| Latest | $19.99 21 hrs ago |
| Highest | $24.99 May 4, '14 |
| Lowest | $19.99 Mar 23, '16 |
| Average | $19.99 (30d avg) $23.21 (90d avg) $24.10 (180d avg) $24.55 (365d avg) $24.47 (Lifetime average) |
| Added | Mar 13, 2014 |
Old Joy is writer/director Kelly Reichardt's long-awaited follow-up to her revered but underseen 1994 feature debut, River of Grass. (She directed a couple of shorts in the interim, including Ode, a Super-8 film inspired by the song "Ode to Bill.") Daniel London and cult folksinger Will Oldham star in the film as two old friends who go on a camping trip to a hot springs in the Cascade mountain range of Oregon. London's Mark is the responsible one with the modest house, the wife (who resents his gallivanting off), the dog (who comes along), and the baby on the way. He listens to Air America, and makes all the right liberal noises. Oldham's Kurt is the free-spirit type with the untamed facial hair and the junker car that looks more lived-in than vehicular. Kurt suggests the trip, and they take Mark's car. Kurt has the directions to the place, and they get lost ("I think we're somewhere. in the area") and spend the night at a garbage-strewn campsite, where they discuss their lives, and Kurt laments the apparent dissolution of their friendship. In the morning, they have breakfast in a diner, and Mark apologizes to Tanya (Tanya Smith) over the phone, explaining that he'll be home later than expected. In the daylight, they find the hot springs, and spend the afternoon quietly unwinding. Reichardt co-wrote Old Joy with Jonathan Raymond, adapting his short story, which was originally written as a collaboration with photographer Justine Kurland. It was shot (on Super-16) by Peter Sillen and features a soundtrack by Yo La Tengo. The film was selected by the Film Society of Lincoln Center and the Museum of Modern Art for inclusion in the 2006 edition of New Directors/New Films. ~ Josh Ralske, Rovi
| Last Seen | |
| Highest | $24.99 Feb 3, '16 |
| Lowest | $16.07 Jul 27, '15 |
| Average | $23.06 (30d avg) $24.35 (90d avg) $24.45 (180d avg) $21.13 (365d avg) $19.17 (Lifetime average) |
| Added | Aug 9, 2013 |
| Last Seen | |
| Highest | $20.86 Feb 6, '16 |
| Lowest | $10.19 Jun 30, '14 |
| Average | $14.40 (30d avg) $16.72 (90d avg) $16.08 (180d avg) $14.84 (365d avg) $13.92 (Lifetime average) |
| Added | Aug 9, 2013 |
| Last Seen | |
| Highest | $15.24 May 3, '15 |
| Lowest | $0.48 Jul 18, '14 |
| Average | $5.14 (30d avg) $5.20 (90d avg) $5.37 (180d avg) $6.56 (365d avg) $6.19 (Lifetime average) |
| Added | Aug 9, 2013 |
30 day average: 73,387
90 day average: 87,399
A true American independent film (Boston Globe), Kelly Reichardt's achingly exquisite Old Joy has been hailed at film festivals worldwide for its unparalleled beauty, profound insight into the human condition and transcendent, meditative narrative, creating "a shared adult experience of lost possibilities and present realities" (Entertainment Weekly). Based on Jonathan Raymond's short story and featuring a soundtrack from Yo La Tengo, Reichardt's second feature chronicles a short camping trip by two old friends to a quasi-mystical oasis, the Bagby Hot Springs, in Oregon's lush Cascade Mountains. The actors in this Cain-Abel story are Kurt (cult musician Will Oldham), a post-hippie with never-present promise; and Mark (Daniel London), the father-to-be, intent on putting the Kurt part of his life behind him, but also silently nostalgic for a more carefree, radical past. Far more than a lo-fi indie riff on Brokeback Mountain, the intricately layered Old Joy is in part an elegy for the '70s American cinematic revolution -- with shades of Easy Rider and the Oregon-shot Five Easy Pieces -- but also fits square into the minimalism of present-day art house cinema. A gorgeous nature film, Old Joy is sensatory and full of room for interpretation. Reichardt considers what it means to be free in Bush's America, throws two kinds of individual freedom together, watches the muted sparks fly and hopes for common ground, creating "one of the finest American films of the year" (New York Times).