When, in 1907, Alfred Stieglitz took a simple picture of passengers on a ship bound for Europe, he could not have known that , as it was soon called, would become a modernist icon and, from todays vantage, arguably the most famous photograph made by an American photographer. In complementary essays, a photo historian and a photographer reassess this important picture, rediscovering the complex social and aesthetic ideas that informed it and explaining how over the years it has achieved its status as a masterpiece. What aspects of Stieglitzs ideas and sometimes-murky ambitions help us understand the pictures achievements? How should we assess the photograph in relation to Stieglitzs many writings about it? The authors of this book explore what might mean in at least two sensesby itself, as a grand and self-sufficient work, and also ineluctably bound up with the many stories told about it. They make the photograph, today, what Stieglitz himself made it over the yearsa photo-text work.