Eschewing conventional narrative, Jacques Brel is Alive and Well and Living in Paris transforms Mort Shuman and Eric Blau's beloved 35-song stage revue into an infectious movie musical that showcases both Brel's astonishing songwriting breadth and the resourceful audacity of 70's filmmaking. Belgian born Brel's richly sensual, uncompromising and lyrical songs provide a simultaneously ecstatic and tragic framework for this flamboyant and moving film. Director Denis Heroux utilizes everything from puppetry to location photography to shepherd Brel's music far beyond the proscenium-bound horizon. Working from the surreal imagery and concrete emotions in which Brel laced his lyrics, songwriter Mort Shuman (himself co-creator of soem of the most memorable hit songs for the Drifters and Elvis Presley) transforms Brel's French chansons into lushly romantic yet unsentimental English language versions. Shuman, Elly Stone and Joe Masiell give voice to Brel's tangos and boleros in an explosion of settings that are inexhaustably imaginative and intimate. But the true showstopper offers Brel himself singing his signature, "Ne Me Quitte Pas," in a sequence that ranks as one of the most powerfully understated and sincere musical performances ever put on film. From the vitriolic anti-war accusations of "Au Suivant" ("Next") to the achingly real "Chanson des Vieux Amours" ("Song of the Old Lovers"), Brel foments protest without preaching, celebrates tragedy without shinning emotion. Kino's presentation of AFT's Jacques Brel is Alive and Well and Living in Paris is proof of this celebrated modern troubadour's timeless relevance and enduring passion.

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This filmed version of the popular (1800 performances!) off-Broadway musical by Eric Blau and Mort Schumann incorporates 26 songs written by Belgian-entertainer Jacques Brel. Three actors-Elly Stone, Mort Schuman and Joe Masiell-interpret Brel's sometimes angry, sometimes poignant ballads with strength and compassion. In the movie, the three are brought together when they seek refuge from a rainstorm. The songs are accompanied by vignettes which highlight the imagery and story in them. Jacques Brel himself sings a melancholy composition at intermission time. It's ironic that this film was produced by the American Film Theatre; Brel disliked America and refused ever to set foot in the country. ~ Hal Erickson, Rovi

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