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An evening at the opera spills out onto the street and into an odyssey through Montreal by night. The narrator, both innocent and cynical, rushes headlong down what appears to be the road to ruinor perhaps merely to the loss of his virginity. We follow him from a caf called El Cortijo (Spanish for a country house with a farm building attached) to a nightclub called the Four Corners of the World. This is an urban metaphor for the classic story of the shrewd country boy bedazzled and led astray by the bright lights of the big city. We discover along with him a burlesque world of transgression and madness, where pleasures are far from simple and love is somewhat less than pure. On the street, as at the opera, passions are on the loose and truth and falsehood leave their marks in the service of the urgencies of desire. Will our hero find love and pleasure after all? This evocative account of his adventure is stamped with the ironic and the affectionate wit and humour that characterize all of Michel Tremblays novels and memoirs.