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Buy from Amazon $19.38$3.51 $15.63 $11.25 $6.88 Feb Mar Apr May 2016 $19.38, Jan 7 - Feb 25$11.70, Jan 7 - Feb 25$19.38, Jan 7 - Feb 25$13.32, Jan 15 - Jan 30$11.70, Jan 7 - Feb 25$19.38, Jan 7 - Feb 25$11.70, Jan 7 - Feb 25$10.47, Feb 4 - Feb 25$12.96, Mar 6 1:59 pm$11.70, Mar 6 1:59 pm$10.95, Mar 6 1:59 pm$19.38, Mar 18 1:06 am$11.35, Mar 18 1:06 am$10.62, Mar 18 1:06 am$19.38, Mar 18 1:06 am$11.35, Mar 18 1:06 am$12.48, Mar 29 1:26 pm$11.68, Mar 29 1:26 pm$11.19, Apr 9 11:22 pm$6.46, Apr 9 11:22 pm$11.26, Apr 21 7:37 pm$3.51, Apr 21 7:37 pm 524,2784,700,918 5,859,375 3,906,250 1,953,125 0 Feb Mar Apr May 2016

Price Details

New

Latest $3.51 6 hrs ago
Highest $19.38 Mar 18, '16
Lowest $3.51 6 hrs ago
Average $9.02 (30d avg)
$15.89 (90d avg)
$16.39 (Lifetime average)
Added Jan 7, 2016

3rd Party New

Last Seen $10.62 Mar 18, '16
Highest $11.70 Jan 7, '16
Lowest $10.62 Mar 18, '16
Average $11.54 (90d avg)
$11.58 (Lifetime average)
Added Jan 7, 2016

3rd Party Used

Latest $11.26 6 hrs ago
Highest $13.32 Jan 15, '16
Lowest $10.47 Feb 4, '16
Average $11.82 (30d avg)
$11.48 (90d avg)
$11.63 (Lifetime average)
Added Jan 7, 2016

Sales Rank

30 day average: 4,644,424
90 day average: 3,487,810

Product Description

is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a response to specifics works, to the specificity of the craft, , of each work; offering a reading of specific works of photography (Photovoice sg), poetry (Tammy Ho Lai-Ming), installation art (Charles Lim), film (Tan Chui Mui), conceptual art (ZXEROKOOL), and charcoal drawings (Yanyun Chen). Through writing. For, to write is always also to scribble, to scratch, tear, quite possibly open - and perhaps more importantly, to open the possibility of a relation with another, to the unknowability that is the other. At the risk that this writing causes one to writhe, to be torn, to cry out; even if the very one is himself. Or, as Alessandro De Francesco, in his introduction, says: " ."

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