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  • Phyllis Galembo: Maske
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    From $33.68 (New)

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Buy from Amazon $45.00$25.23 $40.00 $35.00 $30.00 Feb Mar Apr May 2016 $45.00, Jan 7 - Feb 25OOS $45.00, Feb 28 11:58 am$45.00, Mar 12 7:00 am$28.62, Mar 12 7:00 am$27.07, Mar 12 7:00 am$29.61, Mar 24 - Mar 30$27.08, Mar 24 - Mar 30$25.23, Mar 24 - Mar 30$33.68, Apr 4 - Apr 16$28.60, Apr 4 10:36 pm$25.34, Apr 4 10:36 pm$33.68, Apr 4 - Apr 16$28.33, Apr 10 4:53 pm$25.98, Apr 10 4:53 pm$33.68, Apr 4 - Apr 16$28.50, Apr 16 3:33 pm$25.44, Apr 16 3:33 pm 67,3561,636,681 1,953,125 1,171,875 781,250 390,625 Feb Mar Apr May 2016

Price Details

New

Latest $33.68 Apr 16, '16
Highest $45.00 Mar 12, '16
Lowest $29.61 Mar 24, '16
Average $31.64 (30d avg)
$41.52 (90d avg)
$41.89 (Lifetime average)
Added Jan 7, 2016

3rd Party New

Latest $25.44 Apr 16, '16
Highest $27.07 Mar 12, '16
Lowest $25.23 Mar 24, '16
Average $25.45 (30d avg)
$25.99 (Lifetime average)
Added Jan 7, 2016

3rd Party Used

Latest $28.50 Apr 16, '16
Highest $28.62 Mar 12, '16
Lowest $27.08 Mar 24, '16
Average $27.77 (30d avg)
$28.06 (Lifetime average)
Added Jan 7, 2016

Sales Rank

30 day average: 105,737
90 day average: 347,279

Product Description

For over two decades, Phyllis Galembo (born 1952) has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals-who use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word meaning "to wear a mask," this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century.

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