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After he gained legendary status rapping on Doug E. Fresh's "La Di Da Di," it was only a matter of time before the world would clutch British-born Ricky Walters to its heart. Rick had already fancied himself a rabid storyteller (and a mighty good one) on Fresh's track "The Show," and became Slick Rick's novella. Not content with one perspective, Slick Rick often employed tag-team rhyming with himself as his own partner ("Mona Lisa," "Teacher Teacher"). His cautionary tales ("Hey Young World," "Children's Story," "Teenage Love") work much better than his freaky tales ("Treat Her Like a Prostitute," "Indian Girl"). Still, it doesn't take a musicologist to appreciate the complex rhyme schemes and scenarios of "The Moment I Feared," "Children's Story," and "Mona Lisa," and his slight accent heightened his distinctiveness. Despite lukewarm response to his follow-up--as well as a stint in the pokey--Slick Rick will always be remembered for his , an essential B-boy document.