Accattone, Pier Paolo Pasolini's first feature, is also his first semidocumentary study of "the little homelands": the small, often squalid cultural pockets in the remotest provinces of Italy. Using nonprofessional actors for his leading characters, Pasolini concentrates on Franco Citti, a rural pimp who falls in love with virtuous Franca Pasut. Having previously led an aimless existence, Citti takes a job-and, it is implied, a bath-in hopes of impressing his new girl. It isn't long, however, before Citti gives up both job and Pasut, degenerating into a life of violent crime. As was the case with most of his subsequent films, Pasolini both directed and wrote Accattone, adapting the screenplay from his own novel ~ Hal Erickson, Rovi

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The first of Pier Paolo Pasolini's highly acclaimed films, and the winner of numerous film festival prizes, ACCATONE uses a talented cast to present a vivid picture of the Roman slums. Based on one of the filmmaker/poet's novels, this story of a pimp, his friends, his enemies and his girls is realism at its earthiest. It is brutal, realistic, unsentimental and bustiling with life. Particularly effective is the use of Bach on the soundtrack which provides ironic counterpoint to the world of pimps, prostitutes and street fighters.